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Robot 2.0 was released worldwide in both 3D and conventional format on 29 November 2018, along with its dubbed versions in Hindi and Telugu. It received mostly positive reviews upon release. Critics particularly praised the film's visual effects, performances of Rajinikanth and Kumar, and social message; the pace and screenplay received criticism. It earned ₹117.34 crore (US$16 million) worldwide on its first day, which was the second highest ever for an Indian film. The film crossed ₹520 crore (equivalent to ₹560 crore or US$78 million in 2019) in its opening weekend to be the highest-grossing film worldwide for that week. 2.0 is the second highest-grossing film in India and is the fifth highest-grossing Indian film worldwide.


Robot 2.0 is a 2018 Indian Tamil-language science fiction action film written and directed by S. Shankar, and co-written by B. Jeyamohan. Produced by Subaskaran under the banner of Lyca Productions. As the second instalment in the Enthiran franchise, 2.0 is a standalone sequel to Enthiran (2010), featuring Rajinikanth reprising the roles of Vaseegaran and Chitti, alongside Akshay Kumar and Amy Jackson. Sudhanshu Pandey, Adil Hussain, Kalabhavan Shajohn, and K. Ganesh appear in supporting roles. The film follows the conflict between Chitti, the once dismantled humanoid robot, and Pakshi Rajan, a former ornithologist who seeks vengeance upon cell phone users to prevent avian population decline. The soundtrack is composed by A. R. Rahman, with lyrics written by Madhan Karky and Na. Muthukumar.


Produced on an estimated budget of ₹570 crore (US$80 million), 2.0 is the most expensive Indian film to date. Production began in 2015, with principal photography conducted at AVM Studios later that year. The first schedule was filmed at EVP World. Scenes were primarily shot in India, particularly in Chennai's Madras Boat Club and Delhi's Jawaharlal Nehru Stadium. Filming was completed by August 2017. The film is the first in Indian cinema to be natively shot in 3D, which was done by cinematographer Nirav Shah. The film was primarily shot in Tamil while Akshay Kumar's dialogues were shot in Hindi. Legacy Effects made their return to construct prosthetic makeup and animatronics, with visual effects supervised by V. Srinivas Mohan. Editing was handled by Anthony and production design was conducted by T. Muthuraj.


The commercial success of Enthiran (2010) prompted the makers of the film to immediately consider making a sequel. By March 2011, the original film's cinematographer, Rathnavelu, revealed that initial pre-production work on a sequel had begun with the same technical team. S. Shankar, the director of Enthiran, moved on to work on Nanban (2012) and I (2015) and planned to reunite with the same producers as the original was released, with Shankar revealing that he was unsure if the film "will happen at all" during an interview in 2014.[18] While finishing the production of I, Shankar drafted the scripts of three more feature films, including a sequel to Enthiran.


Pre-production work for the film had reportedly started in June 2015 with Lyca Productions deciding to finance the project. Along with Shankar and Rajinikanth, composer A. R. Rahman and editor Anthony remained on the development team for the sequel, while Jeyamohan was added to write the screenplay. Shankar also began briefing the film's art director T. Muthuraj and visual effects supervisor V. Srinivas Mohan about their involvement in the film. Shankar had initially inquired about K. V. Anand's availability. This was before Nirav Shah joined the technical team as a cinematographer in mid-2015 and visited specialist studios in the United States to research filming methods for 3D shoots.


Jeyamohan finished work on the script of the film in September 2015 and revealed that the story would be a direct continuation of the 2010 film, with filming only set to start following the completion of Rajinikanth's commitments in Kabali (2016). The original film's screenplay writer, Madhan Karky, helped Jeyamohan on some of the more technical dialogue in the script. While the film does include characters and references to events from its predecessor, it is primarily a standalone sequel. A press release coinciding with the start of the film's shoot also revealed that Resul Pookutty would handle sound designing, Legacy Effects would take care of animatronics work, and Mary E. Vogt would design special costumes. Stunt choreographer Kenny Bates and visual effects specialists John Hughes and Walt Jones of Tau Films were also signed to work on the film. Unadjusted for inflation, 2.0 is so far the most expensive Indian film.


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